In the article the problem of recognizing users of social networks, chats and other virtual spaces that are provoked by other users, inciting conflicts between participants of various online communities is investigated. In this work the authors give a brief description of the trolling concept. The relevance of solving the problem of trolling in the social communities of the Internet is shown in connection with the widespread aggressive provocative behavior of individual users in the virtual space, as well as the influence of such behavior on the psyche and general condition of a person. The paper uses the theory of trust functions to process expert observations, estimates or measurements. The proposed approach involves the use of this theory in conjunction with the input of a value that determines the conflict between two combined trust functions. The goal of the work is to test a new approach for calculating potential trolls using a method based on the degree of conflict of trust functions between different messages of the discussion branch in question-answer communities. It is concluded that the possibility of assessing the user’s conflict with the help of a parameter called the measure of the conflict of his messages in relation to the messages of all other users. To simplify the calculation process, the k-means clustering algorithm is applied.

The article concentrates on the analyses of the content characteristics of the users’ activity patterns functioning in the media ecosystem. Media ecosystem is viewed by the author as information environment of a modern individual which dialectically connects the users’ media activity practices as well as the institutional conditions of their realization. The author refers to such key practices of users’ activity in the media ecosystem as media consumption and media production, notably an important factor of such practices realization are definite patterns and normals, which are the behavior models articulates in the media ecosystem environment. It is shown that these patterns and normals can be localized in such media sources as the news in mass media, fiction texts and program manifestations, technological regulations (exploitation rules, access procedures etc.), society knowledge (etiquette, etc.) of the network community. On the basis of the author’s sociological research, carried out using the content analyses (N=300) method (different types of media sources in the modern media ecosystem were studied), peculiarities of actual patterns and normals of users’ activity in media ecosystem are analyzed. The author shows how the imperative character of the patterns and normals declared reveals in a number of characteristics that are the criteria of the analyses. As a result of the research it was found out that the level of imperativeness of articulated patterns and normals is defined not only by their immediate localization (the type of media source where they were placed) but also by the referentiality of these normals to the unique experience of the users and the prevailing types of media activity.

The article is devoted to a comprehensive analysis of the transformation of the reflection of computer technologies and network resources in the Terminator cinematic and literary universe created by the American director J. Cameron in the mid 1980s and early 2020s. In this study the authors substantiate the relevance and scientific component of the problem under study. The paper considers the degree of importance of high technologies and social networks in modern public life. The article provides a justification for the fallacy of the judgment, according to which works of fiction of a fantastic orientation perform purely entertaining function and do not carry a significant semantic load. This article also provides an argument for choosing the Terminator fantastic universe as an example for research, wit an analysis of the reasons for its great popularity and high degree of significance for contemporary art. The authors of the work subject the key components of the topic under consideration to reflection, taking into account the changes that have taken place in the public consciousness over three and a half decades, takin inti account the differences in historical and political realities – from the last quarter of the 20-th century to the present, until the beginning of the third decade of the XXI century. This article provides a comparative analysis of the reasons for significant differences in the display of high technology and online resources in cinema and fiction. The work draws parallels and analogies with historical events, analyzes the use of the religious meanings used in the Terminator universe. The authors of the article analyze the moral issues that are raised by the creators of the fantastic universe of Terminator in the context of the positive and negative consequences of the intense growth of the role of high technologies and communicative Internet sites in the life of human society.

Advances in technology might seem to help to temper belief in the supernatural, but it turned out that they served, for example, to prove the existence of the otherworldly. The appearance of photography was perceived by spiritualists as a possible way to demonstrate the existence of spirits. The reusing of stacked plates, the duration of the exposure, illumination, etc. often added details to the new photograph, so unintentionally additional images fell into the photograph, causing confusion. The article considers cases of falsification of collisions of people with supernatural forces, imprinted on photos of XIX, XX and XXI centuries. as well as videos from the 20th and 21st centuries. Only 37% of the photos and 63% of the videos were falsified intentionally – exposure, editing, counterfeiting, scenery or acting actors, while 53% of the photos and 29% of the videos were unintentionally. It was an accident, a game of light and shadow, spoiled photo/video. Presented as supernatural can have a resemblance to a human figure, or be a spot, a shadow. Most of the evidence of encounters is unintentional, in the daytime, outside. The article examines the progress of technologies through which you can create fake pictures. Especially in modern times, the development of digital technologies had reached a level where it was impossible to distinguish between real and edited images

Review of: Lisenkova A. A. Transformations of socio-cultural identity in the digital space: a monograph. – Perm: PGIK Publ., 2021. 286 p. ISBN978-5-91201-355-3 (in Russian))